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Professor
Academy of Architecture and Fine Arts
Degree: Doctor of Sciences
Research interests:
Postmodernism Culture, Artistic culture of the XX Century, Musical theater of the XX Century, Mnimalism Art, Experimental Art
Research projects:
The musical phenomenon of postmodern dance. The article is devoted to understanding the artistic principles of postmodern dance. Presenting itself as a borderline phenomenon, it was formed in the context of experimental art of the 1950s and 1960s and developed during the course of the entire second half of the 20th century within the frameworks of conceptualism. The postmodern dance possessed a genetic duality, which determined its aesthetics, artistic strategies and methods. The leading form of presentation of the postmodern dance, expressed by its performances, rejected the traditional materials and means of expressivity and the concept of expressivity as such. The musical choreographic performance became one of the most vivid forms of expression of the materialization of artistic concepts – which manifested the idea cultivated by various forms of art of the indicated period.
Postmodern Musical art: new forms of synthesis. The aim of the project is an exploration of postmodern musical art as a powerful tendency in contemporary world culture, which is associated with new forms of combination of musical and unmusical contents. The significance of the subject is a consequence both of processes in musical art and unprecedented development of technologies and means of mass communication, influencing this art from the outside. The problems of present research include the definition of the style appearance, genre specific, forms of existence of compositions written by domestic, European and American authors, who experiment with interaction of various art forms and creative practices.
Teaching:
